๐Ÿฆ‹ ืžืจืงื• ืžื•ืืฉื ื‘ื”ื“ื—ืช ืงื˜ื™ื ื” ืœื”ืชืื‘ื“ื•ืช ๐ŸŽ™๏ธ ืฉืืจืช ื”ืชืจื‘ื•ืช

ื™ื•ืœ ื‘ื”ื˜ ื”ื›ื™ืจ ืืช ืžืจื™ืคื•ืกื” ื‘โ€ื‘ืžื” ื—ื“ืฉื”โ€ ื•ื“ื™ื‘ืจ ืื™ืชื” ื‘ืื™ื™ืกื™ืงื™ื•. ื›ืžื” ืฉื‘ื•ืขื•ืช ืžืื•ื—ืจ ื™ื•ืชืจ ื”ืชืงืฉืจื” ืืœื™ื• ื ื•ืคืจ, ืฉืงื™ื‘ืœื” ืืช ื”ื˜ืœืคื•ืŸ ืžื—ื‘ืจื”, ืคืœื™ืจื˜ื˜ื” ืื™ืชื• โ€“ ื•ื ืขืœืžื”. ืื—ืจ ื›ืš ื”ื’ื™ืขื• ืฉื•ื˜ืจื™ื ืœื—ืงื•ืจ ืืช ื™ื•ืœ, ืฉื”ืชืขืงืฉื• ืฉื”ืฆื™ื’ ืืช ืขืฆืžื• ื›โ€ืžืจืงื•โ€, ืขืœ ื”ื”ืชืื‘ื“ื•ืช ืฉืœ ืชืžืจ, ืฉื”ื•ื ื”ื›ื™ืจ ืจืง ื›โ€ืžืจื™ืคื•ืกื”โ€. ืื’ื‘, ื ื•ืคืจ ืœื’ืžืจื™ ืฉื™ืงืจื”. ืชืขืœื•ืžื” ืกื‘ื™ื‘ ื˜ืจื’ื“ื™ื” ื‘ืคืจืง ื”ื—ื“ืฉ ืฉืœ ืฉืืจืช ื”ืชืจื‘ื•ืช.

ื™ื•ืœ ื‘ื”ื˜ ๐Ÿ“ธ ืชืžื•ื ื” ืคืจื˜ื™ืช

ื”ืขืจื•ืชื•ื›ื ื™ืช

ืื™ื™ืกื™ืงื™ื• ื ื•ื‘ืœ ๐Ÿ“ธ Sharon McCutcheon ๐ŸŽจ ืขื•ืžืจ ืกื ืฉ
ืคืจื— ื”ืžื™ืจื‘ื™ืœื™ืก ื ื•ื‘ืœ ๐Ÿ“ธ  Sharon McCutcheon ๐ŸŽจ ืขื•ืžืจ ืกื ืฉ

ืฉืืจืช ื”ืชืจื‘ื•ืช ื”ื•ื ื”ืกื›ืช (ืคื•ื“ืงืืกื˜) ืขืœ ืชืจื‘ื•ืช ืจืฉืช ๐Ÿ—ฃ๏ธ ื™ื•ืฆืจ ื•ืžื’ื™ืฉ: ืขื™ื“ื• ืงื™ื ืŸ ๐ŸŽ›๏ธ ืงื•ืœื•ืช: Dramatic Apocalyptic Music โ€“ The Wasteland, by Ross Bugden, ืžืจืงื• ืจื•ืกื™ ืžื”ืกื“ืจื” โ€œื”ืœื‘โ€, ืฆืœื™ืœ ื”ื•ื“ืขืช ืื™ื™ืกื™ืงื™ื• ๐ŸŽต ืžื•ื–ื™ืงืช ืคืชื™ื— ื•ืกื’ื™ืจ: N1N10DOH! (cc-by) ๐Ÿ˜‡ ื”ืฉืจืื” ื•ืฉื ื”ืชื•ื›ื ื™ืช: ืืœื” ื ื•ื‘ืง ๐Ÿ”ง ื”ื•ืคืง ืขืœ ื™ื“ื™ Podcasti.co โ€“ ืžืคื™ืงื™ื ืคื•ื“ืงืืกื˜ื™ื ืžืขื•ืœื™ื, ื‘ืฉื™ืชื•ืฃ ืื•ืจื‘ืŸ ืคืœื™ื™ืก


ื”ืžื•ื–ื™ืงื” ืฉืžืœื•ื•ื” ืืช ื”ืคืจืง ื”ื™ื ื”ื™ืฆื™ืจื” Dramatic Apocalyptic Music โ€“ The Wasteland ืฉืœ Ross Bugden. ื”ื ื” ื”ื™ื ื‘ืžืœื•ืื”:

ืชื’ื•ื‘ื•ืช

ืคืจืกื•ื ืชื’ื•ื‘ื”

ืขืœื™ืš ืœื”ืชื—ื‘ืจ ื›ื“ื™ ืœื”ื’ื™ื‘.